The project in progress
The Forest

In this project, created together with Malak Mansour as the duo Tsipora, I explore the concept of the boundary. A boundary is meant to separate and define, yet the closer I look at it, the more it dissolves. Opposites blur, realities flow into each other.

The forest embodies this condition. A liminal space where distinctions collapse: human and non-human, living and lifeless, solid and fluid. In the forest, orientation is lost and the familiar becomes strange. Step by step, the walker changes too.

This project is not complete — it is an ongoing work, a living forest we continue to build and reshape. A space to disturb the familiar order, to encounter the strange within the known, and the known within the strange.

"The Hunger Circle"

This sculptural circle is made of beasts — each an empty shell, their mouths gaping with endless, insatiable hunger. The open jaw, like that of a newborn chick, is a primal trigger; but here, it becomes an abyss, a void that can never be filled. The urge to fill, the fear of being devoured, the paradox of emptiness that threatens to consume — these forms reflect the primal and existential hunger that runs through all living beings.

What can be set against this infinite hunger? Is there an answer to the emptiness inside the devouring shell?

Black Pack

The Serpent


A black serpent, coiled in full life-size rings, its tail ending in two braided strands of women’s hair. The serpent is a symbol of earthliness and materiality, of mortality and sin. Yet, at its very end, it transforms — the tail dissolves into Eve’s braids. In Midrashic tradition, before God presented Eve to Adam, He braided her hair. Braids thus carry traces of divine beauty and love. Within the serpent’s darkness, then, resides a paradox: death entwined with creation, sin intertwined with transcendence.Make it stand out..

The Nest (in process)

The Sculpture “The Nest”
A nest woven entirely from long black braids of women’s hair. Hair, once an emblem of beauty and youth, here becomes a vessel — a home. The nest evokes the sacrificial dimension of womanhood: in Ashkenazi tradition, upon marriage women would cut off their braids, sometimes even shave their heads, marking the renunciation of youthful beauty for modesty and duty. The nest thus becomes a dwelling built of surrender, of strands once vibrant and alive, now reconfigured into shelter and continuity.What do you do?

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Project Two